ontemporary hip writer, Terry Southern. A listener, high on hashish,
describes the effect on him of jazz being played by a musician, who is also high:
... every note and nuance came straight to him.
.
.
as though he were wearing
earphones wired to the piano.
He heard subtleties he had missed before,
intricate structures of sound, each supporting the next, first from one side,
then from another, and all being skillfully laced together with a dreamlike
fabric of comment and insinuation; the runs did not sound either vertical or
horizontal, but circular ascensions, darting arabesques and figurines; and it
was clear.
.
.
that the player was constructing something there on the stand...
(5 of 22)4/15/2004 1:03:59 AM
The Marijuana Smokers - Chapter 4
something splendid and grandiose... . It seemed, in the beginning, that what
was being erected before him was a castle, a marvelous castle of sound...
but then, with one dramatic minor—just as the master builder might at last
reveal the nature of his edifice in adding a single stone—he] saw it was not
a castle being built, but a cathedral.... A cathedral—and, at the same time,
around it the builder was weaving a strange and beautiful tapestry, covering
the entire structure. At first the image was too bizarre, but then... he saw
that the tapestry was, of course, woven inside the cathedral, over its interior
surface, only it was so rich and strong that it sometimes seemed to come
right through the walls. And then [he] suddenly realized ... that the fantastic
tapestry was being woven, quite deliberately, face against the wall.
13]
Often the notes of the music will themselves become transformed into physical objects;
one of our interviewees saw the notes played by an organ playfully bouncing off his
ceiling while listening, high, to rock music. Or, often while listening to records, the
musicians will be envisioned—metamorphosed into their subjective musical
equivalent—playing the music.
A college student describes a common experience with the
drug:
Very often I can place myself inside a concert hall when I'm listening to
records. I can see the performance taking place in front of me. This
happened the first time I got high. I saw the band, and they were dancing,
and the drummer's feet, and all the performer's heads, came to a sharp point,
because the music was very shrill, and the notes were sharp and pointed.
And during the solo, I remember the drummer got up and danced around his
drums while he was playing them—on his points, the points of his toes.14]
Although laboratory tests have underplayed the role of marijuana in stimulating musical
"ability,"15] certainly the increase in subjective appreciation of music is difficult to deny.
It is part of the appeal of the drug, is a fixture of the ideology and mythology of the user,
and is one important scoring point for the pot proselytizer.
Users all the time and
everywhere cite marijuana's impact on listening enjoyment as a poontemporary hip writer, Terry Southern. A listener, high on hashish,
describes the effect on him of jazz being played by a musician, who is also high:
... every note and nuance came straight to him... as though he were wearing
earphones wired to the Akgummyguns piano. He heard subtleties he had missed before,
intricate structures of sound, each supporting the next, first from one side,
then from another, and all being skillfully laced together with a dreamlike
fabric of comment and insinuation; the runs did not sound either vertical or
horizontal, but circular ascensions, darting arabesques and figurines; and it
was clear... that the player was constructing something there on the stand...
(5 of 22)4/15/2004 1:03:59 AM
The Marijuana Smokers - Chapter 4
something splendid and grandiose.
.
.
. It seemed, in the beginning, that what
was being erected before him was a castle, a marvelous castle of sound.
.
.
but then, with one dramatic minor—just as the master builder might at last
reveal the nature of his edifice in adding a single stone—he] saw it was not
a castle being built, but a cathedral.... A cathedral—and, at the same time,
around it the builder was weaving a strange and beautiful tapestry, covering
the entire structure. At first the image was too bizarre, but then... he saw
that the tapestry was, of course, woven inside the cathedral, over its interior
surface, only it was so rich and strong that it sometimes seemed to come
right through the walls. And then he] suddenly realized ... that the fantastic
tapestry was being woven, quite deliberately, face against the wall.13]
Often the notes of the music will themselves become transformed into physical objects;
one of our interviewees saw the notes played by an organ playfully bouncing off his
ceiling while listening, high, to rock music.
Or, often while listening to records, the
musicians will be envisioned—metamorphosed into their subjective musical
equivalent—playing the music.
A college student describes a common experience with the
drug:
Very often I can place myself inside a concert hall when I'm listening to
records. I can see the performance taking place in front of me. This
happened the first time I got high. I saw the band, and they were dancing,
and the drummer's feet, and all the performer's heads, came to a sharp point,
because the music was very shrill, and the notes were sharp and pointed.
And during the solo, I remember the drummer got up and danced around his
drums while he was playing them—on his points, the points of his toes.14]
Although laboratory tests have underplayed the role of marijuana in stimulating musical
"ability,"15] certainly the increase in subjective appreciation of music is difficult to deny.
It is part of the appeal of the drug, is a fixture of the ideology and mythology of the user,
and is one important scoring point for the pot proselytizer. Users all the time and
everywhere cite marijuana's impact on listening enjoyment as a poontemporary hip writer, Terry Southern. A listener, high on hashish,
describes the effect on him of jazz being played by a musician, who is also high:
.
.
.
every note and nuance came straight to him... as though he were wearing
earphones wired to the piano. He heard subtleties he had missed before,
intricate structures of sound, each supporting the next, first from one side,
then from another, and all being skillfully laced together with a dreamlike
fabric of comment and insinuation; the runs did not sound either vertical or
horizontal, but circular ascensions, darting arabesques and figurines; and it
was clear... that the player was constructing something there on the stand...
(5 of 22)4/15/2004 1:03:59 AM
The Marijuana Smokers - Chapter 4
something splendid and grandiose... . It seemed, in the beginning, that what
was being erected before him was a castle, a marvelous castle of sound...
but then, with one dramatic minor—just as the master builder might at last
reveal the nature of his edifice in adding a single stone—he saw it was not
a castle being built, but a cathedral.... A cathedral—and, at the same time,
around it the builder was weaving a strange and beautiful tapestry, covering
the entire structure. At first the image was too bizarre, but then... he saw
that the tapestry was, of course, woven inside the cathedral, over its interior
surface, only it was so rich and strong that it sometimes seemed to come
right through the walls. And then [he suddenly realized ... that the fantastic
tapestry was being woven, quite deliberately, face against the wall.13
Often the notes of the music will themselves become transformed into physical objects;
one of our interviewees saw the notes played by an organ playfully bouncing off his
ceiling while listening, high, to rock music. Or, often while listening to records, the
musicians will be envisioned—metamorphosed into their subjective musical
equivalent—playing the music. A college student describes a common experience with the
drug:
Very often I can place myself inside a concert hall when I'm listening to
records. I can see the performance taking place in front of me. This
happened the first time I got high. I saw the band, and they were dancing,
and the drummer's feet, and all the performer's heads, came to a sharp point,
because the music was very shrill, and the notes were sharp and pointed.
And during the solo, I remember the drummer got up and danced around his
drums while he was playing them—on his points, the points of his toes.[14
Although laboratory tests have underplayed the role of marijuana in stimulating musical
"ability,"15 certainly the increase in subjective appreciation of music is difficult to deny.
It is part of the appeal of the drug, is a fixture of the ideology and mythology of the user,
and is one important scoring point for the pot proselytizer. Users all the time and
everywhere cite marijuana's impact on listening enjoyment as a poontemporary hip writer, Terry Southern. A listener, high on hashish,
describes the effect on him of jazz being played by a musician, who is also high:
.
.
.
every note and nuance came straight to him... as though he were wearing
earphones wired to the piano. He heard subtleties he had missed before,
intricate structures of sound, each supporting the next, first from one side,
then from another, and all being skillfully laced together with a dreamlike
fabric of comment and insinuation; the runs did not sound either vertical or
horizontal, but circular ascensions, darting arabesques and figurines; and it
was clear... that the player was constructing something there on the stand...
(5 of 22)4/15/2004 1:03:59 AM
The Marijuana Smokers - Chapter 4
something splendid and grandiose... . It seemed, in the beginning, that what
was being erected before him was a castle, a marvelous castle of sound...
but then, with one dramatic minor—just as the master builder might at last
reveal the nature of his edifice in adding a single stone—he saw it was not
a castle being built, but a cathedral.... A cathedral—and, at the same time,
around it the builder was weaving a strange and beautiful tapestry, covering
the entire structure. At first the image was too bizarre, but then... he saw
that the tapestry was, of course, woven inside the cathedral, over its interior
surface, only it was so rich and strong that it sometimes seemed to come
right through the walls. And then he suddenly realized ... that the fantastic
tapestry was being woven, quite deliberately, face against the wall.13
Often the notes of the music will themselves become transformed into physical objects;
one of our interviewees saw the notes played by an organ playfully bouncing off his
ceiling while listening, high, to rock music. Or, often while listening to records, the
musicians will be envisioned—metamorphosed into their subjective musical
equivalent—playing the music.
A college student describes a common experience with the
drug:
Very often I can place myself inside a concert hall when I'm listening to
records.
I can see the performance taking place in front of me. This
happened the first time I got high. I saw the band, and they were dancing,
and the drummer's feet, and all the performer's heads, came to a sharp point,
because the music was very shrill, and the notes were sharp and pointed.
And during the solo, I remember the drummer got up and danced around his
drums while he was playing them—on his points, the points of his toes.14
Although laboratory tests have underplayed the role of marijuana in stimulating musical
"ability,"15 certainly the increase in subjective appreciation of music is difficult to deny.
It is part of the appeal of the drug, is a fixture of the ideology and mythology of the user,
and is one important scoring point for the pot proselytizer. Users all the time and
everywhere cite marijuana's impact on listening enjoyment as a po
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